Michael Myers Halloween Inhaltsverzeichnis
Michael Myers ist eine fiktive Figur aus der Halloween-Serie von Slasher-Filmen. Er taucht erstmals in John Carpenter's Halloween als kleiner Junge auf, der seine ältere Schwester Judith Myers ermordet. Fünfzehn Jahre später kehrt er nach. Little inszenierte mit dem vierten Teil der Halloween-Reihe die Rückkehr von Michael Myers. Es folgten zwei. Der Film erzählt die Geschichte von Michael Myers, der als Sechsjähriger seine Schwester ermordet, nach codul-muncii.eu: Die gruseligste Nacht des Jahres steht vor der Tür und natürlich ist da auch Mike Myers nicht weit. „Halloween Kills“ kommt. Michael Meyers irrt durch die Stadt. Regie: John Carpenter Darsteller: Jamie Lee Curtis, Donald Pleasence, Nancy Loomis HALLOWEEN II Das Grauen. codul-muncii.eu - Kaufen Sie Halloween V - The Revenge Of Michael Myers (Remastered Edition) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Blumhouse und Universal Pictures versüßen Fans das kommende Halloween mit einem neuen Teaser zu „Halloween Kills“ mit Jamie Lee.
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Alle anderen Filme wären inhaltlich ignoriert worden. Michael verfolgt sie, dringt in das Haus ein und attackiert sie erneut.Carpenter tried to keep the audience guessing as to who Michael Myers really is—he is gone, and everywhere at the same time; he is more than human; he may be supernatural, and no one knows how he got that way.
To Carpenter, keeping the audience guessing was better than explaining away the character with "he's cursed by some Carpenter has described Halloween as: "True crass exploitation.
I decided to make a film I would love to have seen as a kid, full of cheap tricks like a haunted house at a fair where you walk down the corridor and things jump out at you.
Loomis was originally intended for Peter Cushing , who had recently appeared as Grand Moff Tarkin in Star Wars ; Cushing's agent rejected Carpenter's offer due to the low salary.
In an interview, Carpenter admits that "Jamie Lee wasn't the first choice for Laurie. I had no idea who she was. However, Lockhart had commitments to several other film and television projects.
Soles to play Lynda Van Der Klok, another loquacious friend of Laurie's, best remembered in the film for dialogue peppered with the word "totally.
The role of "The Shape"—as the masked Michael Myers character was billed in the end credits—was played by Nick Castle , who befriended Carpenter while they attended the University of Southern California.
Moran was a struggling actor before he got the role. When Moran went to audition for the role of Michael, he met for an interview with Carpenter and Yablans.
He later got a call back and was told he had got the part. Will Sandin played the unmasked young Michael in the beginning of the film.
Carpenter also provided uncredited voice work as Paul, Annie's boyfriend. Akkad worried over the tight, four-week schedule, low budget, and Carpenter's limited experience as a filmmaker, but told Fangoria : "Two things made me decide.
One, Carpenter told me the story verbally and in a suspenseful way, almost frame for frame. Second, he told me he didn't want to take any fees, and that showed he had confidence in the project".
Because of the low budget, wardrobe and props were often crafted from items on hand or that could be purchased inexpensively.
Carpenter hired Tommy Lee Wallace as production designer, art director, location scout and co-editor. In the script it said Michael Myers's mask had 'the pale features of a human face' and it truly was spooky looking.
I can only imagine the result if they hadn't painted the mask white. Children would be checking their closet for William Shatner after Tommy got through with it.
Halloween was filmed in 20 days over a four-week period in May An abandoned house owned by a church stood in as the Myers house. Two homes on Orange Grove Avenue near Sunset Boulevard in the Spaulding Square neighborhood of Hollywood were used for the film's climax, as the street had few palm trees, and thus closely resembled a Midwestern street.
Carpenter worked with the cast to create the desired effect of terror and suspense. According to Curtis, Carpenter created a "fear meter" because the film was shot out-of-sequence and she was not sure what her character's level of terror should be in certain scenes.
She had different facial expressions and scream volumes for each level on the meter. In addition to the film's critical and commercial success, Carpenter's self-composed "Halloween Theme" became recognizable apart from the film.
Some songs can be heard in the film, one being an untitled song performed by Carpenter and a group of his friends who formed a band called The Coupe De Villes.
The song is heard as Laurie steps into Annie's car on her way to babysit Tommy Doyle. On September 7, , the official Halloween Movies Facebook page announced that the original Halloween would be re-released starting October 25, , in celebration of the film's 35th anniversary in A new documentary was screened before the film at all locations, titled You Can't Kill the Boogeyman: 35 Years of Halloween, written and directed by HalloweenMovies.
The newly filmed scenes include Dr. Loomis at a hospital board review of Michael Myers and Dr. Loomis talking to a thenyear-old Michael at Smith's Grove, telling him, "You've fooled them, haven't you, Michael?
But not me. Loomis at Smith's Grove examining Michael's abandoned cell after his escape and seeing the word "Sister" scratched into the door.
The new scene had Laurie's hair hidden by a towel, since Curtis was by then wearing a much shorter hairstyle than she had worn in In August , Fangoria reported that Synapse Films had discovered boxes of negatives containing footage cut from the film.
One was labeled "" suggesting that it was additional footage for the television version of the film. Synapse owner Don May Jr.
Luckily, Billy [Kirkus] was able to find this material before it was destroyed. The story on how we got the negative is a long one, but we'll save it for when we're able to showcase the materials in some way.
Kirkus should be commended for pretty much saving the Holy Grail of horror films". There is no sound in any of the reels so far, since none of it was used in the final edit".
Upon its initial release, Halloween performed well with little advertising—relying mostly on word-of-mouth, but many critics seemed uninterested or dismissive of the film.
Pauline Kael wrote a scathing review in The New Yorker suggesting that "Carpenter doesn't seem to have had any life outside the movies: one can trace almost every idea on the screen to directors such as Hitchcock and Brian De Palma and to the Val Lewton productions" and claiming that "Maybe when a horror film is stripped of everything but dumb scariness—when it isn't ashamed to revive the stalest device of the genre the escaped lunatic —it satisfies part of the audience in a more basic, childish way than sophisticated horror pictures do.
The Los Angeles Times deemed the film a "well-made but empty and morbid thriller," [83] while Bill von Maurer of The Miami Times felt it was "surprisingly good," noting: "Taken on its own level, Halloween is a terrifying movie—if you are the right age and the right mood.
He repeatedly sets up anticipation of a shock and delays the shock for varying lengths of time. The tension is considerable. More than once during the movie I looked around just to make sure that no one weird was sitting behind me.
Presumably, Carpenter imagines he's building up spine-tingling anticipation, but his techniques are so transparent and laborious that the result is attenuation rather than tension.
Allen pointed out the stylistic similarities to Psycho and George A. Romero 's Night of the Living Dead The following month, Voice lead critic Andrew Sarris wrote a follow-up feature on cult films , citing Allen's appraisal of Halloween and writing in the lead sentence that the film "bids fair to become the cult discovery of Audiences have been heard screaming at its horrifying climaxes".
It's frightening. Maybe you don't like movies that are really scary: Then don't see this one. Years after its debut, Halloween is considered by many as one of the best films of The consensus reads: "Scary, suspenseful, and viscerally thrilling, Halloween set the standard for modern horror films.
Many compared the film with the work of Alfred Hitchcock, although TV Guide calls comparisons made to Psycho "silly and groundless" [98] and some critics in the late s and early s blamed the film for spawning the slasher subgenre, which they felt had rapidly descended into sadism and misogyny.
Claiming it encouraged audience identification with the killer, Martin and Porter pointed to the way "the camera moves in on the screaming, pleading, victim, 'looks down' at the knife, and then plunges it into chest, ear, or eyeball.
Now that's sick. Since Halloween ' s premiere, it has been released in several home video formats. On October 2, , the film was released for the first time on Blu-ray by Anchor Bay.
It is also available online for computer and other devices viewing streaming rentals and downloadable files through Amazon. American Film Institute lists.
The film has often been cited [ by whom? Believe me, I'm not. In Halloween , I viewed the characters as simply normal teenagers. Although she manages to repel the killer several times, in the end, Strode is rescued in Halloween and Halloween II only when Dr.
Loomis arrives to shoot Myers. Other feminist scholars such as Carol J. Clover argue that despite the violence against women, Halloween and other slasher films turned women into heroines.
Despite the fact that Loomis saves Strode, Clover asserts that Halloween initiates the role of the " final girl " who ultimately triumphs in the end.
Strode fights back against Myers and severely wounds him. Briefel further argues that these moments are masochistic in nature and give pleasure to men because they are willingly submitting themselves to the women of the film; they submit themselves temporarily because it will make their return to authority even more powerful.
She remarks that parental figures are almost entirely absent throughout the film, noting that when Laurie is attacked by Michael while babysitting, "No parents, either of the teenagers or of the children left in their charge, call to check on their children or arrive to keen over them.
Another major theme found in the film is the dangers of premarital sex. Clover believes that killers in slasher films are fueled by a "psychosexual fury" [] and that all the killings are sexual in nature.
She reinforces this idea by saying that "guns have no place in slasher films" and when examining the film I Spit on Your Grave she notes that "a hands-on killing answers a hands-on rape in a way that a shooting, even a shooting preceded by a humiliation, does not.
She remarks that Laurie's friends "think of their babysitting jobs as opportunities to share drinks and beds with their boyfriends.
One by one they are killed The dangers of suburbia is another major theme that runs throughout the film and the slasher genre at large: Pat Gill states that slasher films "seem to mock white flight to gated communities, in particular the attempts of parents to shield their children from the dangerous influences represented by the city.
Michael is thought by some to represent evil in the film. This is based on the common belief that evil never dies, nor does evil show any remorse.
This idea is demonstrated in the film when Dr. Loomis discusses Michael's history with the sheriff.
Loomis states, "I spent eight years trying to reach him [Michael Myers], and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply Carpenter himself dismisses the notion that Halloween is a morality play , regarding it as merely a horror film.
He explains, "The one girl who is the most sexually uptight just keeps stabbing this guy with a long knife. She's the most sexually frustrated.
She's the one that's killed him. Not because she's a virgin but because all that sexually repressed energy starts coming out. She uses all those phallic symbols on the guy.
Historian Nicholas Rogers notes that film critics contend that Carpenter's direction and camera work made Halloween a "resounding success. Carpenter is uncannily skilled, for example, at the use of foregrounds in his compositions, and everyone who likes thrillers knows that foregrounds are crucial.
The camera slowly moves toward the jack-o'-lantern's left eye as the main title theme plays. After the camera fully closes in, the jack-o'-lantern's light dims and goes out.
Film historian J. Telotte says that this scene "clearly announces that [the film's] primary concern will be with the way in which we see ourselves and others and the consequences that often attend our usual manner of perception.
The first scene of the young Michael's voyeurism is followed by the murder of Judith seen through the eye holes of Michael's clown costume mask.
According to scholar Nicholas Rogers, Carpenter's "frequent use of the unmounted first-person camera to represent the killer's point of view In a single, wonderfully fluid tracking shot, the camera establishes the quiet character of a suburban street, the sexual hanky-panky going on between a teenage couple in one of the staid-looking homes, the departure of the boyfriend, a hand in the kitchen drawer removing a butcher's knife, the view on the way upstairs from behind the eye-slits of a Halloween mask, the murder of a half-nude young girl seated at her dressing table, the descent downstairs and whammo!
The killer stands speechless on the lawn, holding the bloody knife, a small boy in a satin clown suit with a newly-returned parent on each side shrieking in an attempt to find out what the spectacle means.
Halloween is a widely influential film within the horror genre; it was largely responsible for the popularization of slasher films in the s and helped develop the slasher genre.
Halloween popularized many tropes that have become completely synonymous with the slasher genre. Halloween helped to popularize the final girl trope , the killing off of characters who are substance abusers or sexually promiscuous, [] and the use of a theme song for the killer.
Carpenter also shot many scenes from the perspective of the killer in order to build tension. These elements have become so established that many historians argue that Halloween is responsible for the new wave of horror that emerged during the s.
The major themes present in Halloween also became common in the slasher films it inspired. Film scholar Pat Gill notes that in Halloween , there is a theme of absentee parents [] but films such as A Nightmare on Elm Street and Friday the 13th feature the parents becoming directly responsible for the creation of the killer.
There are slasher films that predated Halloween , such as Silent Night, Bloody Night , The Texas Chain Saw Massacre and Black Christmas which contained prominent elements of the slasher genre; both involving a group of teenagers being murdered by a stranger as well as having the final girl trope.
Halloween , however, is considered by historians as being responsible for the new wave of horror films, because it not only used these tropes but also pioneered many others.
A mass market paperback novelization of the same name , written by Curtis Richards a pseudonym that was used by author Richard Curtis , was published by Bantam Books in It was reissued in The novelization adds aspects not featured in the film, such as the origins of the curse of Samhain and Michael Myers' life in Smith's Grove Sanatorium, which contradict its source material.
For example, the novel's version of Michael speaks during his time at the sanitarium; [] in the film, Dr. Loomis states, "He hasn't spoken a word in fifteen years.
In , Halloween was adapted as a video game for the Atari by Wizard Video. Players take on the role of a teenage babysitter who tries to save as many children from an unnamed, knife-wielding killer as possible.
It was simply a piece of tape with "Halloween" written in marker. When the babysitter is killed, her head disappears and is replaced by blood pulsating from the neck as she runs around exaggeratedly.
The game's primary similarity to the film is the theme music that plays when the killer appears onscreen. Halloween spawned seven sequels.
It begins exactly where Halloween ends and was intended to finish the story of Michael Myers and Laurie Strode. Carpenter did not direct any of the subsequent films in the Halloween series, although he did produce Halloween III: Season of the Witch , the plot of which is unrelated to the other films in the series due to the absence of Michael Myers.
Even without considering the third film, the Halloween series contains continuity issues, which some sources attribute to the different writers and directors involved in each film.
A remake was released in , directed by Rob Zombie , which itself was followed by a sequel. An eleventh installment was released in the United States in The film, directed by David Gordon Green , is a direct sequel to the original film while disregarding the previous sequels from canon , and retconning the ending of the first film.
From Wikipedia, the free encyclopedia. For other uses, see Halloween disambiguation. Theatrical release poster by Robert Gleason.
Soles Nancy Loomis. Tommy Lee Wallace Charles Bornstein. Compass International Pictures [1] [2] Aquarius Releasing [4]. Release date.
Running time. Main article: List of Halloween characters. Donald Pleasence as Dr. Terence Wynn. I met this six-year-old child with this blank, pale, emotionless face, and the blackest eyes; the devil's eyes I realized what was living behind that boy's eyes was purely and simply Main article: Halloween soundtrack.
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November 8, Archived from the original on April 6, Shock Till You Drop. A force that goes beyond that five senses that has infected this boy's soul and now is driving him.
Michael does not speak in the films; the first time audiences ever hear his voice is in the Rob Zombie reboot. Michael speaks as a child during the beginning of the film, but while in Smith's Grove he stops talking completely.
Rob Zombie originally planned to have the adult Michael speak to Laurie in the film's finale, simply saying his childhood nickname for her, "Boo".
Zombie explained that this version was not used because he was afraid having the character talk at that point would demystify him too much, and because the act of Michael handing Laurie the photograph of them together was enough.
Describing aspects of Michael Myers which he wanted to explore in the comic book Halloween: Nightdance , writer Stefan Hutchinson mentions the character's "bizarre and dark sense of humor", as seen when he wore a sheet over his head to trick a girl into thinking he was her boyfriend, and the satisfaction he gets from scaring the characters before he murders them, such as letting Laurie know he is stalking her.
Hutchinson feels there is a perverse nature to Michael's actions: "see the difference between how he watches and pursues women to men".
Hutchinson describes Michael as a "monster of abjection". When asked his opinion of Rob Zombie's expansion on Michael's family life, Hutchinson says that explaining why Michael does what he does "[reduces] the character".
That being said, Hutchinson explores the nature of evil in the short story Charlie —included in the Halloween Nightdance trade paperback—and says that Michael Myers spent 15 years "attuning himself to this force to the point where he is, as Loomis says, 'pure evil'".
He surmises that Michael embodies a part of everyone; a part people are afraid will one day "snap and knife someone", which lends to the fear that Michael creates onscreen.
For Michael, he had to kill to find some inner peace. As he took his sister's life, the police found a silent boy dressed as a clown at the scene.
Sending Michael to a mental institution was a feeble attempt to save the child. Unsuccessful therapy and nightly screams just made him even more introvert [ sic ] and deranged.
It was published in the Journal of Media Psychology. In the survey, Michael was considered to be the "embodiment of pure evil"; when compared to the other characters, Michael Myers was rated the highest.
Michael was characterized lending to the understanding of insanity, being ranked second to Hannibal Lecter in this category; he also placed first as the character who shows audiences the "dark side of human nature".
He was rated second in the category "monster enjoys killing" by the participants, and believed to have "superhuman strength". Michael was rated highest among the characters in the "monster is an outcast" category.
John Carpenter, serving as an executive producer and creative consultant for the sequel to Halloween , expressed his disagreement with Rob Zombie's portrayal of the character: "I thought that he took away the mystique of the story by explaining too much about [Michael Myers].
I don't care about that. He's supposed to be a force of nature. He's supposed to be almost supernatural.
I want to be scared by something that I really think could happen. I think it's much more horrifying to be scared by someone standing in the shadows while you're taking the trash out as opposed to someone who can't be killed pursuing you.
Myers is evicted from the house, and takes off his mask to reveal himself to be the comedian Mike Myers , and utters his Austin Powers catchphrase, "I feel randy, baby, yeah!
Here, a spirit communicates with Hewitt's character by placing her in scenes from the deceased's favorite horror movies, and one of the scenes involved Michael Myers.
In one of the various merchandises to feature the character, Michael Myers made his video game debut with the Atari video game Halloween.
The game is rare to find, often being played on emulators. No characters from the films are specifically named, with the goal of the game focusing on the player, who is a babysitter, protecting children from a "homicidal maniac [who] has escaped from a mental institution".
From Wikipedia, the free encyclopedia. Fictional character in the Halloween franchise. Tyler Mane as Michael Myers in Halloween I met this six-year-old child with this blank, pale, emotionless face, and the blackest eyes; the devil's eyes [ Michael Myers is enduring because he's pure evil.
Journal of Media Psychology. United States: Dimension Films. The New York Times. Retrieved 20 October Halloween DVD. Falcon International Productions.
Dino De Laurentiis Corporation. The Film Magazine. Retrieved 26 October McElroy writer and Dwight H. Little Trancas International Films.
Magnum Pictures Inc. Miramax Films. Dimension Films. Halloween: Resurrection DVD. The Hollywood Reporter. Archived from the original on 8 August Retrieved 11 August New York City: Vox Media.
Bantam Books. Halloween II. Zebra Publishing. Halloween IV. Halloween Movies. Archived from the original on 21 March Retrieved 26 August The Scream Factory Halloween, Book 1.
Berkley Books. The Mad House Halloween, Book 3. Movie Maniacs Comic Books. Retrieved 25 November Arrow in the Head.
Bloody Disgusting. Archived from the original on 26 February Retrieved 18 November Halloween: Nightdance. Chicago : Devil's Due Publishing.
Archived from the original on 11 February Retrieved 4 February Retrieved 7 June United States: Anchor Bay. The Observer. Retrieved 21 February The Guardian.
Oxford University Press. Archived from the original on 5 April Retrieved 3 October Icons of Fright. Retrieved 2 June Feature film commentary for Halloween DVD.
Cinema Crazed. Archived from the original on 17 October Retrieved 12 October Dead by Daylight. Archived from the original on 28 September Retrieved 21 November Cinema Blend.
Retrieved 31 July Empire Film Podcast. Robot Chicken. Season 1. Episode Adult Swim. Entertainment Tonight. Archived from the original on 9 February Retrieved 8 March Cold Case.
Season 3. Episode 3. Dread Central. Retrieved 5 September January Archived from the original on 14 January Archived from the original on 27 November Retrieved 27 October Universal Studios Halloween Horror Nights.
Archived from the original on 14 September Retrieved 5 October Retrieved 9 November Detroit Free Press. Categories : Child characters in film Fictional characters from Illinois Film characters introduced in Fictional characters with psychiatric disorders Fictional characters with superhuman strength Fictional hermits Fictional mass murderers Fictional rampage and spree killers Fictional sororicides Fictional victims of child abuse Halloween franchise characters Male horror film villains Fictional stalkers Psychopathy in fiction Slasher film antagonists.
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Michael Myers Halloween Navigation menu Video
Halloween (2018) - Michael Myers' Halloween Night Killing SpreeMichael Myers Halloween
Thomas J. Vereinigte Staaten. Während im Hintergrund das Halloween-Thema zu hören ist, fokussiert die Kamera langsam eines der Augen des in den Kürbis geschnitzten Gesichts. Der Celebrity Sex Tape Movie Drehort ist der Grund dafür, dass die meisten in Haddonfield zu sehenden Autos trotz der Lage in Illinois kalifornische Kennzeichen haben. Auf der anderen Seite wenden Feministinnen wie Carol Shoppen Leipzig. Dean Cundey. Der englische Schauspieler Pleasence Sarah Wayne angeblich Tabak Dose seiner Tochter, die Carpenters Anschlag bei Nacht gesehen hatte, dazu ermutigt, sich an den Dreharbeiten zu Halloween zu beteiligen. Financier Moustapha Akkad setzte die Https Www Movie4k als ausführender Produzent einer jeden Fortsetzung bis zu seinem Tod bei einem terroristischen Anschlag in Amman Wer Ist Der Profi. Akkad gewährte der Filmcrew ein Budget von Myers konnte entkommen, indem er einen Sanitäter als sich selbst verkleidete und ihm den Kehlkopf zerdrückte, wodurch es dem Sanitäter unmöglich wurde zu sprechen. Sie argumentieren, dass Traumfrau Gesucht Ganze Folge Einfluss aus Alien Sichtungen Kreisen dadurch verhindert werde, dass Myers als dämonisches, übermenschliches Monster dargestellt Mittelmeerküste. Wallace kreierte die zum Markenzeichen gewordene Maske, die den ganzen Film über von Michael Myers getragen wird. Während der Konzeption der Handlung legte Yablans stets viel Wert darauf, dass das Publikum nicht das ängstigen solle, was es sehe, sondern was es denke zu sehen. Wir sahen das alles in zahllosen König Der Löwen Hyänen Doyle aus Das Fenster zum Hof und Dr. Oktober unter dem Titel Halloween in die Kinos. Kurz nach der Herbstmode Halloweensveröffentlichte Bantam Books eine von Curtis Richards verfasste Taschenbuchversion des Stoffes, sowie eine Neuauflage, die mittlerweile vergriffen ist. Sie entstand aus einer Captain-Kirk -Maske, die er für 1,98 Dollar erworben hatte. Namensräume Artikel Diskussion. Halloween: Resurrection. Sie benutzt all diese Phallussymbole gegen ihn. Er war besorgt wegen des dichten Zeitplans, des geringen Budgets Die Verurteilten Youtube Ganzer Film Carpenters mangelnder Erfahrung als Regisseur. Wäre er ein normaler Mensch gewesen, hätte sie ihn besiegt. Ansichten Lesen Bearbeiten Quelltext Vorurteil Englisch Versionsgeschichte. 
Since it was so successful, it has two more sequels in the works. Jamie Lee Curtis once again returns as Laurie Strode.
She is still traumatised from the Halloween night 40 years earlier when Michael Myers came home. She is living a reclusive life in a heavily fortified house.
She keeps in touch with her granddaughter, Allyson Andi Matichak , but rarely sees her daughter, who was taken away from her as a child.
Luckily, Myers breaks out of an asylum to host some family therapy. David Gordon Green directed this Halloween film. The upcoming sequels are called Halloween Kills which was recently delayed to October and Halloween Ends coming October Green is slated to direct both of them.
The first film, also just called Halloween, confusingly, follows the same course of events as the original film, but it's set decades later and focuses on different aspects, such as the lead-up to Michael Myers' first murders as a child in The story still ends in the same place, with Michael escaping and heading back to Haddonfield to find Laurie Strode Scout Taylor-Compton.
Michael Myers, meanwhile, has been living on the run as a hitchhiker, until he begins to have visions of his mother calling for him to return home and find Laurie.
Halloween II tries to flesh out the connection between Michael and Laurie. It manages to be darker than the original films, however.
The final movie in our guide is technically the third-released film from the Halloween franchise. Released in , Season of the Witch is a failed attempt at creating a Halloween anthology series.
That means it has nothing to connect it to anything else in the Halloween Universe. There's not even a Michael Myers.
Instead, Halloween III revolves around a devious plot by a company that makes Halloween masks and is planning to murder every child wearing one of its masks using Stonehenge-powered computer chips.
John Carpenter wrote and directed the first Halloween film and went on to participate in three more films in the franchise.
Here are his films:. Here's this reboot order:. The franchise was rebooted again in , where it only includes the original Halloween. Here are the two films in that order:.
Why you can trust Pocket-lint. Writing by Maggie Tillman. According to him, the way Michael follows girls around and watches them contains a subtext of repressed sexuality.
Farrands theorizes that, as a child, Michael became fixated on the murder of his sister Judith, and for his own twisted reasons felt the need to repeat that action over and over again, finding a sister-like figure in Laurie who excited him sexually.
He also believes that by making Laurie Michael's literal sister, the sequels took away from the simplicity and relatability of the original Halloween.
Nevertheless, when writing Curse , Farrands was tasked with creating a mythology for Michael which defined his motives and why he could not be killed.
He says, "He can't just be a man anymore, he's gone beyond that. He's mythical. He's supernatural.
So, I took it from that standpoint that there's something else driving him. A force that goes beyond that five senses that has infected this boy's soul and now is driving him.
Michael does not speak in the films; the first time audiences ever hear his voice is in the Rob Zombie reboot.
Michael speaks as a child during the beginning of the film, but while in Smith's Grove he stops talking completely.
Rob Zombie originally planned to have the adult Michael speak to Laurie in the film's finale, simply saying his childhood nickname for her, "Boo". Zombie explained that this version was not used because he was afraid having the character talk at that point would demystify him too much, and because the act of Michael handing Laurie the photograph of them together was enough.
Describing aspects of Michael Myers which he wanted to explore in the comic book Halloween: Nightdance , writer Stefan Hutchinson mentions the character's "bizarre and dark sense of humor", as seen when he wore a sheet over his head to trick a girl into thinking he was her boyfriend, and the satisfaction he gets from scaring the characters before he murders them, such as letting Laurie know he is stalking her.
Hutchinson feels there is a perverse nature to Michael's actions: "see the difference between how he watches and pursues women to men". Hutchinson describes Michael as a "monster of abjection".
When asked his opinion of Rob Zombie's expansion on Michael's family life, Hutchinson says that explaining why Michael does what he does "[reduces] the character".
That being said, Hutchinson explores the nature of evil in the short story Charlie —included in the Halloween Nightdance trade paperback—and says that Michael Myers spent 15 years "attuning himself to this force to the point where he is, as Loomis says, 'pure evil'".
He surmises that Michael embodies a part of everyone; a part people are afraid will one day "snap and knife someone", which lends to the fear that Michael creates onscreen.
For Michael, he had to kill to find some inner peace. As he took his sister's life, the police found a silent boy dressed as a clown at the scene.
Sending Michael to a mental institution was a feeble attempt to save the child. Unsuccessful therapy and nightly screams just made him even more introvert [ sic ] and deranged.
It was published in the Journal of Media Psychology. In the survey, Michael was considered to be the "embodiment of pure evil"; when compared to the other characters, Michael Myers was rated the highest.
Michael was characterized lending to the understanding of insanity, being ranked second to Hannibal Lecter in this category; he also placed first as the character who shows audiences the "dark side of human nature".
He was rated second in the category "monster enjoys killing" by the participants, and believed to have "superhuman strength". Michael was rated highest among the characters in the "monster is an outcast" category.
John Carpenter, serving as an executive producer and creative consultant for the sequel to Halloween , expressed his disagreement with Rob Zombie's portrayal of the character: "I thought that he took away the mystique of the story by explaining too much about [Michael Myers].
I don't care about that. He's supposed to be a force of nature. He's supposed to be almost supernatural. I want to be scared by something that I really think could happen.
I think it's much more horrifying to be scared by someone standing in the shadows while you're taking the trash out as opposed to someone who can't be killed pursuing you.
Myers is evicted from the house, and takes off his mask to reveal himself to be the comedian Mike Myers , and utters his Austin Powers catchphrase, "I feel randy, baby, yeah!
Here, a spirit communicates with Hewitt's character by placing her in scenes from the deceased's favorite horror movies, and one of the scenes involved Michael Myers.
In one of the various merchandises to feature the character, Michael Myers made his video game debut with the Atari video game Halloween. The game is rare to find, often being played on emulators.
No characters from the films are specifically named, with the goal of the game focusing on the player, who is a babysitter, protecting children from a "homicidal maniac [who] has escaped from a mental institution".
From Wikipedia, the free encyclopedia. Fictional character in the Halloween franchise. Tyler Mane as Michael Myers in Halloween I met this six-year-old child with this blank, pale, emotionless face, and the blackest eyes; the devil's eyes [ Michael Myers is enduring because he's pure evil.
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The camera slowly moves toward the jack-o'-lantern's left eye as the main title theme plays. Soles to play Lynda Van Der Klok, another loquacious friend of Laurie's, best remembered in the film for dialogue peppered with the word "totally. Cold Case. Michael is eventually subdued by Loomis and taken to the local police station, but a mysterious "Man in Black" attacks the police station, kills the officers, and frees him. Hutchinson wanted to bring the character back Niedrig Und Kuhnt Darsteller his roots, and Düsseldorf Altstadt from the "lumbering Jason-clone" the film sequels had made him.
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